Terri Witek
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Books

  • #12: copies: I loved you in the hard old way by
  • Newsers
  • SOMETHING’S MISSING IN THIS MUSEUM
  • The Rattle Egg by Terri Witek
  • WAAVe Global Anthology of Women’s Asemic Writing and Visual Poetry
  • Judith: Women Making Visual Poetry
  • Poesia Visual 5
  • The Rape Kit
  • Body Switch
  • First Shot At Fort Sumter / Possum
  • Exit Island
  • The Shipwreck Dress
  • Carnal World
  • Fools & Crows
  • Robert Lowell & Life Studies

Recent Work

  • Teaching with Cyriaco Lopes at the Hand Art Center ( June 2024 MFA residency at Stetson University)
  • Beyond the Illegible on Boundary Ave
  • Exit Island featured at show at The Liminal
  • ARCO Madrid
  • ARCO Madrid
  • Collaboration with Amaranth Borsuk

The Lenticular Life of Christ

from Fools & Crows

Five scenes worked into a ruler two inches per scene
comes up short—a metaphor, we take it.
What’s lost, though, is boyhood: the baby plays host
in inches 1 and 2, in 3 and 4 the grown-up god
muscles a lamb near a yellow door. The rest is proto-memorial:
last meal (5,6), last doubt (7,8), last breath (9,10),
the latter fanned by the lift of a woman’s arms.
No Temple Jesus, the little show-off,
and it’s odd lamb out, though we recall Abraham’s crucial
substitution, note how Bethlehem’s newborn has been switched
for another small animal. But why the assault
on that yellow door? In loose robe and two-day beard,
grim Jesus pummels it with his fist, in his other arm
the lamb’s legs jerk, its smudgy snout wheels toward sky
flaps helplessly. Just then the lamb doesn’t want to be carried
in the arms of his life. In the next room Jesus
is hungry, he’s already lifting bread to his mouth,
at the Cross two inches over a woman raises and lowers
empty hands and on the other side of the ruler’s
narrow world, red wings beat steadily from 2×1 to 9×9. 

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